New Releases #9: The Irishman Movie Review

My name is Logan Tyler Smith, and in this series of LoganLand Prime I will analyze movies that are newer or more contemporary in the public consciousness. Welcome to the New Releases series.

In “The Irishman” a elderly former hitman named Frank Sheeran recounts the secrets he kept as a member of an infamous crime syndicate. Through flashbacks and flash-forwards, we learn of the toll killing has taken on him, his family and his criminal associates. 


The film is exactly what you can expect for a gangster movie in terms of scale and ambition. Director Martin Scorsese crafts a world that makes gang violence seem matter-of-fact but also somehow devastating - and the film itself executes that perfectly. 


In addition to the obviously phenomenal production design, the film also succeeds in getting memorable performances from digitally de-aged actors Robert De Niro, Joe Pesci (who came out of retirement for this picture), and Al Pacino (in his first time working for Scorsese). The film’s performances further accent what it’s like to live in the violent, crime-filled world the characters inhabit. 


Despite this, the film is long (3 and a half hours!) and is probably best for the theatre as a result. The violence and subject matter in the film can often strike without warning (the family dynamics are particularly tragic) and could turn off more sensitive viewers. 


Ultimately if you’re into violent, phenomenally executed gangster epics, this might actually be a perfect fit for you. If you’re into that stuff but not into the runtime, you should still be able to watch it in segments (though if you’re not into either you should stay away from this film). 

That's my take. I'm Logan Tyler Smith and this has been the New Releases series.

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